First shloka of the First epic ever written
เคฎा เคจिเคทाเคฆ เคช्เคฐเคคिเคท्เค ां เคค्เคตเคฎ् เค เคเคฎः เคถाเคถ्เคตเคคीः เคธเคฎाः ।
เคฏเคค् เค्เคฐौเค्เค เคฎिเคฅुเคจाเคฆ् เคเคเคฎ् เค เคตเคงीः เคाเคฎเคฎोเคนिเคคเคฎ् ।।
This is the first ลloka of the Rฤmฤyaแนa, uttered by Vฤlmฤซki and often regarded as the first classical Sanskrit verse after the Vedic corpus. Seeing a hunter slay the male of a pair of k rauรฑcha birds while it played with its mate, the sage’s heart, pierced by compassion and righteous anger, burst forth in this metrical curse.
A few interpretive possibilities follow (not mutually exclusive):
1) Krauรฑcha as Kฤma and Rati — a mythic allusion: the hunter is *ลiva*, who burned Kฤma when his meditation was disturbed. The ลloka then reads as a reproach: “May you never find your seat of meditation again, for you raged against Desire — the primal fact of life.”
2) Mฤ niแนฃฤda read as “abode of the Mother” (Lakแนฃmฤซ) — a praise of Viแนฃแนu: “May you, O abode of Lakแนฃmฤซ, ever be praised, for you freed me from the delusion of dual desire.”
3) A royal-historical key: Rฤma (he upon whom Sฤซtฤ rests) has slain Rฤvaแนa, deluded by lust; hence his glory spans ages — and indeed we remember him after millennia.
4) A provocative reading: Vฤlmฤซki chides Rฤma for separating the “white (sฤttvic) bird” (Sฤซtฤ) from her mate — “O Rฤma, you split the pair and now return to your ‘seat’ (pratiแนฃแนญhฤ), your royal abode?” This captures the poet’s unease with the conflict between kingly duty and spousal duty.
5) Fate as hunter: the ลloka curses Time/Destiny — ever the pursuer — that parted *Rฤma* and Sฤซtฤ, a single couple torn by cosmic decree. It serves as a one-verse abstract for the entire Rฤmฤyaแนa.
6) A cyclic structure: the end folds into the beginning. After crowning Kลซลa, Rฤma prepares to depart this world; Vฤlmฤซki reminds him that having ended Rฤvaแนa’s lustful tyranny, he must return to Vaikuแนแนญha — and keep hunting down predation in ages to come.
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